News

the-golden-gate-bridge-1956459_1920“The Beat Goes On: Celebrating the Bay Poetry Collection” is the title of an exhibit at California State University East Bay (Hayward, CA), featuring publications from the library’s special collections.  Highlighting the work of “Beat” luminaries such as Lawrence Ferlinghetti, Allen Ginsberg, and Gary Snyder, it traces the development of contemporary poetry in San Francisco and the Bay Area. While Ferlinghetti’s City Lights Publishing has played a pivotal role on the local literary scene since the early 1950’s, contributions by others such as Panjandrum Press and Sixteen Rivers Press are also featured.  (Runs through December.)

“Cherries, After,” a sense-memory poem that pulls together images from my visit to a small farm near Dartmouth, Massachusetts, was selected for the 2018 Robert Frost Poetry Prize, sponsored by the Frost Foundation.  Many thanks to the judges for this honor, and my gratitude to Executive Director Jessica Sanchez and President Jim Knowles for their efforts in promoting this annual contest in celebration of Frost’s poetry. Like a lot of people, the first time I encountered his work was in a high school English class.  We were studying “The Road Not Taken” and “Stopping by Woods on a Snowy Evening.” Although I admired both poems, it was “Snowy” that held me with its imagery, the resonance of its rhyme scheme, and the tinkle of harness bells.

Poet, translator, and founder of Copper Canyon Press, Sam Hamill, “died on April 14th at his home in Anacortes, Washington,” according to an obituary by Daniel E. Slotnik of the New York Times.  He was seventy-four years old. As a teenager in Utah, Hamill ran away from an abusive environment and made his way to San Francisco where he met poet Kenneth Rexroth who “helped him give up drugs and taught him about poetry — kindnesses that Hamill said changed his life,” Slotnik wrote.  Known for his sensitive translations of poets such as Wang Wei and Matsuo Basho, Hamill went on to publish several collections of his own poetry and initiated a national protest by poets and others against the Iraq war. In his poem, “True Peace,” he wrote, “Not for me, Nirvana./ This suffering world is mine,/ mine to suffer in it’s grief.”  Recipient of PEN’s Freedom to Write First Amendment Award, among other honors, his most recent collection, After Morning Rain, will be published later this year by Tiger Bark Press, according to the Times.    

“Longing has its own quiet place

in the human heart, but love

is sometimes rapturous, noisy,

almost uncivilized, and knows

no boundaries, no borders.”

from After Morning Rain,

          by Sam Hamill

Headlands Center for the Arts is now accepting applications through June for residencies in 2019.  Poets, fiction and creative nonfiction writers, and other artists are eligible. Located on the scenic coast of Marin County, CA, just outside of San Francisco, “Headlands” offers airfare for qualified applicants, a private room in a shared house, studio space, five meals per week, and a monthly stipend of $500.  Residencies are for periods of from four to ten weeks. For details, visit www.headlands.org.

News

Just received the Spring/Summer issue of The Journal of the Academy of American Poets.  In addition to poems by Kwame Dawes, Marie Howe, and Aimee Nezhukumatathil, there are essays by Jane Hirshfield and Jenny Xie, a conversation, “Why Poetry, Why Now?” between Elizabeth Alexander and Maria Popova, and a selection of “Books Noted” by Major Jackson.  A good read and one of the best resources for becoming better acquainted with the range of contemporary American poetry. If you’re not already a subscriber and want to learn more, visit www.poets.org.

Congratulations to Kim Reyes, winner of the first annual Kay Boyle Poetry of Witness Award for her poem, “The Body.”  The contest was judged by Paul Hoover, Acting Director of the Poetry Center at San Francisco State University. Reyes, who is completing her MFA in Creative Writing at SFSU, has “just received an offer of her first book publication by noted Bay Area publisher, Omnidawn Publishing,” according to Hoover.

The National Association for Poetry Therapy will take place April 26 – 29 in Chaska, MN.  This year’s theme is “Poetry Therapy in a Changing World: Pathways to Growth, Healing, and Social Justice.”  Visit www.poetrytherapy.org.

News

After The Book Shop closed its doors for good, former manager Renee’ Rettig raised $70,000 through Indiegogo to open a new store across the street.  Dubbed Books on B, the independently owned store in Hayward, California, is a light-filled space that’s a testament to Rettig’s dedication and the generosity of booklovers.  You can read more at www.sfgate.com.

Pleased to hear that my new poem, “Pilgrimage,” was selected by editor Mark S. Burrows for the journal, ARTS.  Along with Jon M. Sweeney, Burrows is co-translator of “Meister Eckhart’s Book of the Heart, Meditations for a Restless Soul” (Hampton Roads, 2017).  These are short, sometimes ecstatic meditations that speak directly to the heart.

Photographer Fred Lyon’s visual essay, “San Francisco Noir” (Princeton Architectural Press) was released earlier this month and it’s a joy to take in.  But just as evocative as the after dark images of The City, lit by neon and shrouded in fog, are Lyon’s photos of San Francisco by day — an old man playing a harmonica on the sidewalk, rickety backstairs, and wash hanging out to dry.        

Reading Lawrence Ferlinghetti’s, “San Francisco Poems” (City Lights Foundation), I came across “They Were Putting Up a Statue (of St. Francis),” which originally appeared in “Coney Island of the Mind.”  It was recorded on Fantasy records back in the day and can now be heard on You Tube.  Still rocks.

Poet Aline Soules (Meditation on Woman) writes about her recent visit to Seamus Heaney’s Home Place, a small museum in Ulster devoted to the Irish poet’s life and work, and provides links to podcasts and videos.  If you haven’t heard Heaney’s poems, pour yourself a cup of tea (or something stronger) and settle in.  https://alinesoules.com